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DoD watchdog finds 155mm artillery plant built 2 years ago has produced nothing

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A Pentagon watchdog report found that in the roughly two years since it was built, an ammunition plant in Mesquite, Texas, has not produced any parts for 155mm artillery rounds, hindering the Army’s goal to help backfill stocks of ammunition provided to Ukraine after Russia invaded in 2022. 

In a report released Monday, the Defense Department inspector general found that as of March 2026, the plant had not produced any metal projectile parts that met the specifications laid out in the contract and “the Army’s expenditure of $469 million to establish the Mesquite facility could have been used to address other Army or [Department of Defense] priorities.” 

Over the past four years, the Pentagon depleted its inventory of 155mm artillery by 3.6 million rounds, according to the report. The report does not note how many rounds are in the stockpile. 

More than 3 million rounds were given to Ukraine through weapons packages committed by the Biden administration. Roughly 112,000 rounds were used for training and testing, and another 218,000 were sold to other countries. 

Based on the consumption in Ukraine and anticipated foreign military sales, the Army in 2024 set a goal to ramp up production of 155mm artillery from 14,000 rounds per month to 100,000 by Oct. 2025 and invested in the Mesquite plant in Texas to help produce specific parts. 

That plant, which is operated by General Dynamics Ordnance and Tactical Systems, opened in May 2024. 

As of March 2026, the Army was producing about 36,000 rounds per month, still far short of the 100,000 goal, in part because the facility in Mesquite failed to produce any of the 30,000 projectile metal parts it was expected to make each month, according to the report. 

An Army spokesperson confirmed to CBS News this is still accurate as of this month.

In a statement, a spokesperson for General Dynamics Ordnance and Tactical Systems said “GDOTS and our U.S. Army customers have reached an agreement on a path forward for the Mesquite facility, which includes additional GDOTS investment to complete the project.” 

According to the report, officials involved with the Army’s ammunition program said that with only three facilities producing the required projectile metal parts, the Pentagon will “reach only 71,000 rounds per month, or 71 percent of its monthly production capacity goal” by September 2026. 

The gap, the report concluded, occurred because Army officials “accepted the risk” with the contractor’s plan to procure equipment which had not been tested. According to a timeline in the report, the Army contracting office requested the plant stop work in Aug. 2025 while the government evaluated if it could meet its obligations and work to resolve the production issues. 

The demand for artillery has diminished somewhat, since the war in Ukraine has altered its approach and is now more reliant on drone warfare, rather than the trench fighting of a few years ago. Still, the initial expenditure rate highlighted issues with the defense industrial base’s ability to produce weapons quickly. 

Recently, there have been concerns about the more expensive and technologically advanced weapons, like interceptors for Patriot air defense systems and Tomahawk missiles, that have been used in the war with Iran. The Pentagon this year asked for more than $70 billion in its budget to help procure missiles and related equipment, a nearly three-fold increase compared to last year. 

Painted Bridges Unites Taiwan and Houston Through Art

Click here for updates on this story    August 11, 2026 (Houston Style Magazine) -- HOUSTON, TX — Houston has never been shy about putting its personality on a wall. Now, a colorful new landmark along Bellaire Boulevard is doing something even more ambitious: putting Houston’s global heart on display.On Friday, August 7, the Painted Bridges: Houston Mural Program officially unveiled its permanent public mural at 9750 Bellaire Boulevardin Southwest Houston. The ceremony capped a three-week cultural and artistic exchange pairing six visiting Taiwanese artists and designers with legendary Houston street-art pioneer GONZO247, also known as Mario E. Figueroa Jr. Civic leaders and community members gathered to celebrate what organizers describe as the Southwest Management District’s first international artist collaboration.And this is not simply another pretty wall demanding an Instagram selfie—although, Houston, you will definitely want one.At the mural’s heart is a shared circular feast, where characters gather around a table representing hospitality, community and the cultural traditions found throughout Houston’s international corridors. One seat remains deliberately open. It honors family members and ancestors who are no longer physically present while simultaneously extending an invitation to the next person who arrives: there is always room at the table.photo That message carried special resonance in one of America’s most culturally diverse cities. Texas State Rep. Gene Wu, speaking during the unveiling, emphasized that Houston’s Asian American community is here to share its culture, food and love while also making an unmistakable declaration: “this is our home.” Southwest Management District representative Stephen Le similarly described the district as a reflection of Houston’s extraordinary mixture of countries, cultures and backgrounds.Six Artists, One Houston Story The inaugural EpNex Meridian Fellows—Lawrence Hsieh, Tsai-Ni Chen, Hsin Hwang, Stu Yang, Lin Ying Huang and Ami Liu—spent 21 days immersed in Houston-area life. Their experience stretched beyond paint and spray cans into Houston, Pearland and Sugar Land, where they participated in mentorship, studio work, cultural exploration, conversations with local creatives and collaborative design.GONZO247 said the artists arrived in Houston as strangers, many visiting the United States for the first time, before becoming collaborators. Taiwanese artist Hsin Hwang said the experience taught her not only collaboration but also introduced her to using spray paint—a reminder that cultural exchange works both ways when everyone arrives ready to learn.The mural also carries Houston’s Space City identity skyward. Its “GONZONAUT” imagery represents Taipei-born NASA astronaut Dr. Kjell Lindgren, incorporating a photograph from orbit into the astronaut character’s visor. NASA currently lists Lindgren as Deputy Director of the Flight Operations Directorate at Johnson Space Center and credits him with 311 cumulative days in space.Another important layer honors photographer Corky Lee, whose decades of work documented Asian American history, challenged stereotypes and expanded the visibility of AAPI communities. OCA-Greater Houston secured permission from the Corky Lee Estate for his image and legacy to become part of the mural.New Bellaire Boulevard mural celebrates culture, AAPI heritage and belonging, with Houston Style Magazine’s Linda Toyota—Chair of the Harris County AAPI Board of Directors—joining community leaders in the international cultural exchange.photo Presented by EpNex 橋翼 in partnership with GONZO247 Studio, the project received support from Taiwan’s Ministry of Education Youth Development Administration through its overseas youth initiative, along with the Southwest Management District, Greatland Management, OCA-Greater Houston and local community partners.For Houston Style Magazine, Painted Bridges represents public art at its best: not decoration, but conversation. Taiwan brought its artists. Houston brought its neighborhoods, stories and swagger. Together, they created something neither could have painted alone.And perhaps that empty chair says it best.Houston is still setting the table—and the next seat could be yours.Project information: OCA-Greater Houston’s Painted Bridges: Houston Mural Program.
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