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Climate extremes fuel explosive wildfires in Canada and western U.S.

▶ Watch Video: Heavy smoke from Canadian wildfires impacts air quality from Minnesota to New York

The United States is burning faster than usual this year, while massive smoke plumes from Canadian wildfires deplete air quality on both sides of the border. Experts believe the severity of the current fire season, affecting millions of acres of land between both countries, was primed by climate extremes. 

More than 100 wildfires raged in Canada on Thursday and strong winds were carrying their smoke — plus more from a few large fires in Minnesota — across the Upper Midwest and northeastern U.S., exposing millions to harmful pollution

Around 3,500 Canadian fires have enveloped about 2.3 million acres of land this year, a startling statistic that’s more or less on par with the country’a 10-year average number of acres burned by mid-July. It’s actually lower than Canada’s 5-year average, which is twice as high after recent extreme fire seasons

Fire seasons, in Canada, the U.S. and elsewhere across the world, are starting earlier and lasting longer. They’re also “harder to contain,” smoldering through the winter as “zombie fires,” according to the Canadian Climate Institute, which has noted how climate change worsens wildfire threats and, in some instances, may multiply “the likelihood of extreme fire weather” several times over.

Canada Climate Wildfires Smoke
The CN Tower is pictured in Toronto as wildfire smoke fills the city on July 15, 2026.

Laura Proctor/The Canadian Press via AP

In the U.S., close to 40,000 fires have torn through more than 3.6 million acres so far in 2026, including half a million acres in the last two weeks alone, according to the U.S. National Interagency Fire Center. That’s almost 10,000 more fires, and almost a million more acres burned, than the 10-year average for mid-July. In a new advisory, the center said “fire activity is already mirroring conditions normally not seen until later in the season.”

Blazes have scorched hundreds of thousands of acres since January in the American West, with Colorado and Utah hit hardest. At the end of June, three firefighters died and two were injured in the Knowles Fire along the states’ shared border.

Of the 48 large wildfires still active nationwide, 10 are in Colorado or Utah. Most others are scattered across Arizona, California, Idaho, Nevada, New Mexico, Oregon and Washington state.

Western Wildfires
A helicopter flies near the Cottonwood Fire in Beaver, Utah, on June 30, 2026.

AP Photo/Ty ONeil

“From a landscape point of view, from a fuels point of view, and from a weather and climate point of view, everything has kind of converged,” Jon Meyer, Utah’s assistant state climatologist, told CBS News. 

Prolonged drought, record heat and historically low snowpack in western states have created “the perfect storm of conditions,” as Meyer put it, for one of the region’s worst wildfire seasons in a decade. 

Nick Nausler, of the National Weather Service’s Storm Prediction Center, said the intensity is not entirely surprising “given the conditions” that preceded it.

Compounding a snow drought that raised alarms this spring as snow cover dwindled over the Rockies and Cascades, western states also faced repeated heat waves that began in March and persist into the present. 

Dan McEvoy, a researcher at the Nevada-based Western Regional Climate Center, said the 2026 snowpack in Colorado and Utah was “the worst ever seen in some cases” going back 50 to 75 years.

Snowpack across the northern band of Canada has also decreased — a decadeslong downturn, according to the Canadian government.

An integral part of regional water systems in the U.S. and Canada, the runoff from snowpack brings moisture to downstream soil as it melts. Without enough of it, land and vegetation become increasingly susceptible to ignition. McEvoy said that this year, high temperatures triggered premature snowmelt that gave the terrain an extra month to dry out before fire season even began. 

Climate change

Canadian officials openly blame human-caused climate change for the shifting warmth, snowpack and drought patterns that underpin its shifting wildfire seasons. U.S. experts told CBS News that while climate change doesn’t necessarily tell the entire story of any single fire season — factors like forest management also play a role — its fingerprints on this one have been difficult to miss.

Noah Diffenbaugh, a Stanford University climate scientist, cited research that attributes roughly half of the long-term increase in the area burned across the western U.S. to climate change, meaning that without it, the total acreage burned would be about 50% of what it’s been. 

Higher temperatures influence wildfire patterns “both via snowpack and atmospheric demand,” Diffenbaugh said, “and these are all trending in a way that increases wildfire risk in the West.” At this point, even the most ambitious targets for reducing carbon emissions likely won’t be enough to prevent those trends from continuing, he added. 

Western Wildfires
The Snyder Fire burns near Thompson Springs, Utah, on June 28, 2026.

AP Photo/Noah Berger

A number of western U.S. states just experienced their warmest winters on record, helping drive this year’s snow drought, McEvoy said. And Meyer described broader consequences of climate change, like fiercer heat and longer stretches of it, as “loading the dice” for harsher fires in any given year. 

Tim Brown, another climate researcher and McEvoy’s colleague, also noted how the West is experiencing “hotter droughts” than it once did due to the warmer temperatures, which is another factor fueling its wildfires. Brown said a fire season can’t be reduced to climate change alone, telling CBS News that “climate is enabling fire, and weather is driving fire.”

What forecasters are watching next

The National Interagency Fire Center’s most recent seasonal outlook keeps most of the West at above-normal risk of wildfires into the fall. Although confidence in the forecast beyond August is lower because of a strengthening El Niño, some signals point to a possible monsoon offering relief to a handful of states.

McEvoy said the pattern is likely to shift north as summer wears on, with above-average wildfire potential expected in August and September for Northern California, Oregon, Washington and the Northern Rockies. 

Diffenbaugh warned that the West is still early in its fire-risk calendar. The Diablo and Santa Ana winds that drive many of the region’s most dangerous autumn fires haven’t arrived. 

“There’s still months to go,” he said.

This artist’s most-used tool isn’t a paintbrush — it’s a pair of sneakers

Beijing/Hong Kong (CNN) — In the top corner, there’s a very small Star of David. On the center right side, the number 51. Near the center, a pentagon. Squint and you might notice a teeny-tiny series of music notes amid a busy grid. And, wait, is that the US Capitol missing its dome?British artist Gareth Fuller doesn’t make the kinds of maps you’d find in an atlas. They’re not done to scale and don’t include street names. He calls them “mind maps,” and they’re his artistic representations of time spent walking around and exploring cities — in this case, Washington, DC.In an age of Google Maps, with many using their phones to navigate new places, Fuller believes people have lost their sense of discovery. That’s why he began doing these large-scale pen and ink drawings, which he calls his “personal geography.”In his DC work, there’s an itsy-bitsy PBS logo, because the broadcaster has its headquarters in the nation’s capital. There’s also a pattern inspired by the trademark breezeblock ceilings of the DC metro system, flowers to represent the National Arboretum, and the Potomac River cutting through it all. That number 51? It’s a shoutout to the movement that wants to make the District of Columbia into the 51st state.You could stare at these mind maps all day and still not catch every detail— which is exactly how Fuller wants it. For each of his drawings, he spends months or even years exploring cities as much as he can on foot. And, he explains, the maps don’t just incorporate what he sees – they build on anecdotes, random conversations and human experiences that happen along the way. They’re also not very helpful if you need an actual map – the Pentagon, for example, is out in the Virginia suburbs, not in DC proper.“The maps are very much a kind of emotional portrayal of the place,” Fuller says. “It’s a real privilege to be an artist in that respect. People are quite warm to tell you about where they live, and what’s important to them, and their personal stories, and where they’ve come from. The conversation can go in all sorts of ways.”Fuller says his love of wayfinding began in childhood. Raised in rural Wales, he joined the Boy Scouts and learned how to use a compass and flashlight to find his way home without a map. Moving to London as an adult, he got to know the frantic, wiry place on foot. As he became interested in art, he began to see his doodles of places as “problem-solving with ink and lines.”But it was a move to China where Fuller’s work truly blossomed.One of Fuller’s friends was studying in Beijing, so Fuller packed up his bicycle, crashed at his friend’s apartment and tried to learn Mandarin.The result of the year spent off and on in the capital inspired his largest work to date. The Beijing map is littered with fountains, pagodas, power plants, building cranes, and flowers. There are hutongs, the famous side streets where everyday life happens in Beijing, alongside mega-skyscrapers. The central motif is a piece of the Great Wall, snaking through the map like a snake, with bicycles on top – intentional, as Fuller got to know the city while riding around on two wheels.“Coming from somewhere like London, and then coming to somewhere like China, and seeing a Chinese city function, and at the cusp of quite mod ideas in terms of the smart city and things like this, and it was just the cultural aspect. I was just kind of dumped upside down. I don’t want to sort of fetishize Chinese culture, but as a Westerner, it was a huge education. It was exciting.”The person most affected by Fuller’s artwork is, of course, Fuller himself. He has relocated to China permanently, gotten married and become a dad. His current works-in-progress are viewed through the lens of a toddler as much as they are from an adult man.If you try to use Fuller’s “Beijing” as a map to Beijing, it won’t help you get around. But if you use it as an emotional pathway to understand a large, complicated and dynamic place, it might help you get to know the city as a friend. Perhaps you’ll get an entirely different city than the one he visited, one personalized to your own random encounters and accidental discoveries.“We’ve always done this, as humans,” Fuller says. “We will navigate our way through towns, cities, villages, and we will talk and seek shelter with each other and trust.”Fuller’s work will soon come to the US for an exhibit at Stony Brook University in upstate New York. Walking the World: Gareth Fuller’s Art of Place will run from September 9 to December 18 at the college’s Skylight Gallery.The-CNN-Wire™ & © 2026 Cable News Network, Inc., a Warner Bros. Discovery Company. All rights reserved.
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