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National Cathedral gargoyle finally gets his head back — years after being damaged in 2011 quake

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The 5.8-magnitude earthquake that famously shook D.C. in 2011 sent the head of a gargoyle atop the Washington National Cathedral flying.

“All that energy was going up the walls,” head mason at the cathedral Joe Alonso said. “Going, going, going — like the cracking of a whip … boom!”

Pinnacles and other stone fixtures were also launched off the sides of the nation’s second largest church during the quake.

“Gothic cathedrals and earthquakes don’t mix,” Alonso mused.

As it turned out, the gargoyle on the southwest pinnacle was the only gothic drainage spout to fully lose its head, earning it the name “Mr. Decapitation.”

“We’ve been calling him ‘D-cap’ for short,” Alonso said. “But today we are going to call him ‘Re-cap.’ You are going to witness a re-capitation.”

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Made of Indiana limestone, the bat-like stone face finally rejoined its clawed body on Wednesday — 12 years after the 2011 tremor. Stone masons used a special epoxy to put the gargoyle back together, rushing to marry the two pieces of stone before the epoxy dried.

Dean of the Cathedral Randy Hollerith called the “re-capitation” a milestone but added that the $40 million project isn’t only about giving the cathedral a facelift.

“They’re strengthening the cathedral,” Hollerith said. “They’re strengthening the buttresses and their connections to the nave walls. They’re strengthening every area that they’re working on so that some of the things we experienced in this earthquake, we won’t experience the next time.”

As for the timeline, Alonso said he hopes to complete the scaffolding work around the National Cathedral by 2027.

But Hollerith said that it’s a slow process.

“Everything is carved by our stone masons … so it’s not a quick process,” he said.

So far, church officials have raised $24 million for the project. They said $14 million are still needed.

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The Smithsonian Institution has decided to put the National Museum of the American Latino into an existing, historic building, rather than constructing a new one. The Smithsonian Board of Regents on Monday designated the Arts and Industries Building, a 145-year-old redbrick Victorian structure located between the Smithsonian Castle and the Hirshhorn Museum, as the permanent site of the National Museum of the American Latino, which Congress authorized in 2020. In 2022, the Smithsonian narrowed its survey for permanent locations for the National Museum of the American Latino and the American Women's History Museum to four locations near the National Mall on land owned by the National Park Service. The Arts and Industries Building, located at 900 Jefferson St. SW, was one of the four sites. New construction on National Park Service land would require congressional approval. However, since the Smithsonian already owns the Arts and Industries Building, the institution can place the National Museum of the American Latino in the existing building without additional legislation.
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